Podcast and Interview Production
Shows people
actually finish.
The shows we produce have passed thirty million views, including coverage for Patrick Bet-David's podcast and the Andrew Tate interview. The difference between a podcast that grows and one that does not is rarely the microphone. It is the edit: pace, cutaways, and knowing what to cut.
Wides, singles and inserts, switched in the edit so the show has rhythm instead of one static frame for an hour.
Because for half your audience it is. Tracked, cleaned and leveled so it holds up in headphones and in a car.
Every episode mined for short verticals with burned captions, which is where new listeners actually come from.
A set that photographs like a brand, not a spare room. We build it once and it pays every episode.
Jose Gaytan, TGA Financial
How it runs
Fifteen minutes to understand what you are making. Then everything agreed goes in writing: scope, counts, formats, and both of your dates.
A crew that shows up early, a shot list built from the brief, and audio treated as half the film because it is.
You see the cut on the first date. It ships on the second. Revisions run through one person so nothing gets lost between calls.
The next step is small
Tell us what you are making.
Fifteen minutes. We ask about the thing you are building, tell you honestly whether we are the right crew, and you leave with a clear next step either way.
Book the 15 minute callPrefer email? alan@visionxmedia.io