Production Portal
Breaks and floor coverage
Cinthia owns the grid. Never more than two down at once, photo never unstaffed, no full breaks in P1 peaks, meals in pairs. Kevin eats at the station.
Edit desk · Tania
| Mornings | 6:00 AM – 12:00 PM |
| Afternoons | 2:00 PM onward, as needed |
Times are a guide, not a cage: Tania flexes around baby check-ins between shifts. Her lane is project management on the MGM edits: tracking deliverables in Timeliner, chasing editor blockers to Alan, confirming the 8:00 AM handoff landed, and keeping the delivered ledger honest.
Camera letter map
Kevin keeps this current. Rigs stay married all week: a letter always means the same body, glass, and shooter.
Naming
Event code LO. Cameras by letter, never by name: LO_D2_CAMA_C03 reads Lights Out, day 2, Camera A, card 3. Day folders D1–D4, each holding CARDS · SELECTS · PROXIES · EXPORTS.
Cutoffs
| All day | Cards to Kevin at every natural break. Voice your keeper file numbers into the chat. |
| 10:00 PM | Selects and proxies in the queue. Wednesday runs modified: sessions 6 PM, gala rolling, final 12:30 AM. |
| 6:00 AM | Cuts to Cinthia; backup editor takes any dark cut. |
| 8:00 AM | QC'd recap to PHP show ops. Sessions at 9:00. |
Card board
Tap a status to cycle: IN CAMERA → WITH KEVIN → VERIFIED ×2 → CLEARED. The dump time stamps itself the moment a card goes WITH KEVIN and clears when the card cycles back into a camera. Only Kevin touches the bins at the station.
Capture standards
| Rigs | Bodies and lenses stay married. Swap whole rigs at a break, cleared by Cinthia. No lens changes mid-floor. |
| ISO | Base ISO only (800 / 2500 on the S-Log Sonys). Never auto. |
| Profile | S-Log3 on Sonys, Log on Komodo, no baked looks. 4K everywhere; locked-off sticks at half bitrate. |
| WB | Locked per room at stand-up. Evo Plus app reads a room if unsure. |
| Audio | F3 runs the whole session in 32-bit float, untouched to day end. H6n Pro is the pull unit. Camera track always rolling; Rode is the last resort. |
| Verticals | Shoot with 9:16 in mind; reels are sold, not a crop afterthought. |
Rig assignments
| BRBrian | RED Komodo (own lens, TBC) + house Blazar on an A7R V when deployed |
| MIMike | House A7 IV #1 + 55mm 1.8 + 17mm f4 |
| DADarrion | House A7 IV #2 + 16–35 GM + Sigma 50 · Monday photo on A7R V #1 |
| HEHeather | House A7R V #1 + 50 f1.2 GM + 70–200 GM |
| TRTre | A7 IV + FX30, Tamron 17–70, Sigma 85, Sony 50, RS3 |
| MAMatt | FX3 + Sigma 24–70 |
| DEDerric | A7 IV + Sigma 24–70, full cage |
| Spare | A7R V #2 floating · Cinthia's jump-on body |
Daily shot checklist
Social department
The goal is positioning, not activity: make it obvious Visionx belongs in this room. Lights Out is a week-long content bank if we shoot for it on purpose. BTS of the team is ours under documentation rights.
Today's BTS capture
Reference · content strategy for MGM
Professional quick-hit openers: a rush on the eyes for the fast like, and it brings the viewer back for the next post so they can eat the value.
Example 1Example 2Real, usable takeaways. This is the credibility every other format leans on.
Example 1Example 2Word of mouth at scale: never "buy from me," always "buy from them," backed by the credibility format 2 builds.
Example 1Example 2Cool on the eyes and great for introducing the team; no actionable context, so it runs as seasoning, not the meal.
ExampleExecution at Lights Out
| Format | At Lights Out | Owner |
|---|---|---|
| Trendy / quick | Travel-day POV, flight POVs on the 360s, gear wall timelapse, marquee raw-vs-final, 10 PM DIT push POV, crew vlog moments across units | Derric + Matt shoot · Heather cuts |
| Speaker soundbites + b-roll | Session soundbites over our coverage. PHP-identifiable, posts only with Idris approval or after the event | Heather · Alan approves |
| Client testimonial | Idris or PHP leadership on camera after the first recap plays Tuesday | Oz + Kelley set it up |
| Value driven | One tactical takeaway per post: four shooters on a keynote, dual-card discipline, Alan directing the gala | Brian feeds · Heather cuts |
| Carousel storytelling | The crew shot like a second film: S&Q, no narration, movie look. Gala-night carousel anchors the week | Derric + Matt |
| Recaps / deliverables | Repost the daily recap and hype video after PHP posts them | Heather |
The venue
Getting around: from the hotel lobby, Studio Walk runs east through the casino straight to the Garden Arena. The Conference Center sits beside the arena with its own lobby corridor access, escalators stacking three levels, ballrooms and registration on Level 1, and the parking garage against its east side. The pool complex backs the Conference Center. Load-in doors, dock access, and the sky deck route get confirmed on the Aug 2 venue walk.
Official Level 1 plan (PDF)Interactive 3D floor planProperty mapKnow it on sight
Where things live
Wednesday's sessions and the Gala run in the Garden Arena. Everything else gets its exact room at the Aug 2 walk: fill it here once and everyone has it.
The nightly handshake
| 10:00 PM | The pool lands: selects by camera letter, shooter select lists from the chat, Cinthia's flags, Kevin's tiered soundbites. Wednesday runs modified: sessions 6 PM, gala rolling, final 12:30 AM. |
| Overnight | The night's owner cuts the recap; reels run alongside per the rotation. Music from the cleared bank, nowhere else. |
| 6:00 AM | Cuts to Cinthia. The reassignment line: a dark cut goes to the backup, no discussion. |
| 8:00 AM | Cinthia QC, then to PHP show ops for the screens. |
| Morning | Notes back to the floor: shaky, missing, gold. The remote desk calls the day's best shot; that call pays the bonus. |
The edit formula
| 1 · Open on energy | Three to five seconds of arrival, crowd, or arena wide |
| 2 · Anchor soundbite | One tier-one line that names the day |
| 3 · Build | Stage and reactions alternating, wide and tight, two-to-four-second cuts on the music |
| 4 · Peak | The day's biggest moment, given room to breathe |
| 5 · Close | Wide or brand lockup, a final tier-one line or a clean music button |
The multiplication rule: the recap tells the whole day; a reel tells one moment. Same night, adjacent takes, never the same clips unless the crop or the beat makes it read new. Claim what you use on the night sheet so two edits never lean on the same hero shot blind.
Style desk: Axel and Ezequiel
Axel and Ezequiel set the look and hold it. Monday night they publish the reference: a thirty-second style cut plus a one-page spec (LUT and conform, titles, pacing bands, mix, closing lockup). Every cut matches the reference before Cinthia sees it. Oliver cuts to spec; deviations go through the desk, not around it. Ezequiel holds the desk while Axel is inside the PJ film. Ten minutes after morning delivery, the desk posts what changes tonight.
Rotation
| Night | Recap | Reels | Backup |
|---|---|---|---|
| Mon | Axel, the reference night | Oliver | Ezequiel |
| Tue | Ezequiel | Oliver | Axel |
| Wed | Axel, two passes | Oliver + Ezequiel | Ezequiel steps up |
| Thu | No overnight recap; the remote desk rolls to post: PJ film with Axel, top-ten reels with Cinthia, speaker reels | ||
Rotation locks with Alan and Cinthia before Sunday load-in.
Tonight's remote run
Timeliner · MGM deliverables
Read-only snapshot of the event project. Claude refreshes it on request; live sync comes with the post-MGM backend. Full boards, uploads, and review threads live in the app.
Open TimelinerPre-event builds · screens and assets
Everything here exists to be playing on a screen before doors. Sunday's screen check is the proof.
Event week · daily
Saturday Aug 1 · Private Jet Experience
Post-event
Sold coverage · deliver against these
Paid agent packages riding on top of the PHP scope. Every request routes through Oz only; scopes lock before doors open.
Chris Hart · SOS Financial · Lights Out build · Tre's lane
Tre is the dedicated shooter, Sunday through Thursday. First cuts inside 7 days, full delivery inside 21; raw of his segments on request.
Ellis Suazo · Wealth Academy · Headliner
Half paid; balance clears before doors open. Sunday coverage is off. Priority editing applies.
Cesar · VIP
Oz is closing confirmation and payment. Nothing shoots until it locks.
Added during the event
Chain of command
| Creative or coverage | Crew → Cinthia → Alan |
| Client request | Anyone → Oz · Kelley · Cinthia → Alan |
| Gear or media | Shooter → Kevin → Cinthia |
| Schedule conflict | Cinthia decides; Alan breaks ties |
| Money or scope | Alan only, no exceptions |
| Safety or medical | Venue security and EMS first, then Cinthia, then Alan |
Client contacts
| Idris Erba | Marketing Director · day-to-day · daily email + text cadence with Alan |
| Tigran "T" Bekian | Executive lead, runs the show · money and scope go through him |
| Dwight Craver | PHP in-house DP · show opener source files |
| Maral | Travel and lodging · crew rooms from Jul 31 at PHP cost |
Numbers live in the leadership thread, not on this page.
Contingencies
| Body down | Spare in; Mike or Darrion re-lanes; Kevin logs it |
| Audio fails | Camera track rolling, F3 never stopped, Rode last resort; re-pull the board feed at the break |
| Upload fails | Brian cuts the screen version locally; the morning screen never goes empty |
| Editor dark | Backup takes the cut; Cinthia reassigns before 6 AM |
| Card unaccounted | Stop, escalate to Kevin and Cinthia, retrace. Loudly and early |
| Medical | Security and EMS, then Cinthia, then Alan. People before footage |
| Client change | Oz, Kelley, or Alan confirms with the client; Cinthia re-dispatches; one thread update |
Task list
Shared and live. Check it when it's actually closed, not when it's promised.
Reset controls
These clear shared data for everyone. Each one asks first.
On site
| ANAlan Nuncio | Director · floor lead Monday · final-day cut |
| CACinthia Arevalo | DP · floor lead from Tuesday · QC — lands Aug 3, 11 PM, starts at the Tuesday 7:00 stand-up |
| TATania | Project management · MGM edit pipeline · flexible shifts around the baby |
| KVKevin | DIT · media manager · the station is his |
| HEHeather | Photo lead · A7R V #1 — lands Aug 3, 11 PM, starts Tuesday |
| MIMike | Shooter · A7 IV #1 · Tuesday release 6:15 PM for the 7:00 opener |
| DADarrion | Shooter · A7 IV #2 · Monday photo |
| BRBrian | Cinematic · Komodo · sky deck lead · quick recaps |
| TRTre | Dedicated client unit · self-booked travel, receipts to Tania |
| DEDerric | BTS lead · runner · A7 IV |
| MAMatt | BTS · runner · FX3 |
Remote editors
| AXAxel | Lead editor · style desk · Monday and Wednesday recaps |
| EZEzequiel | Editor · style desk · Tuesday recap · holds the desk during the PJ film |
| OLOliver | Reels · cuts to spec |
| CMCamilo | Editor · idlers and the gala idler build |
Client relations
| OZAusbert "Oz" Santa Ana | Client relations · floor |
| KLKelley | Client relations |
PJ unit, Saturday Aug 1: Alan · Brian · Darrion · Tre. Numbers live in the crew thread, not on this page.
Tap every person on it. Each owner earns a raceway mark when the task is checked off.